介绍西游记英语作文
1. 英语作文西游记
Monkey, Monkey King is one of the roles that Chinese Ming Dynasty novelist Wu Cheng's book "Journey to the West" in. Monkey Qunhou lead into the shuiliandong become the king of Zhonghou, since then, the high throne, the "stone" hidden word child, and then called the Monkey King. When I visited the Monkey King huaguoshan hero, the acquaintance of other six cattle devil devil, seven sworn brothers, therefore becoming one of the seven holy Monkey, ranked seventh position. After Monkey Monkey King, claiming "Monkey."
Monkey naturally smart, lively, brave, loyal, vengeful, in Chinese culture has become a resourceful and brave incarnation, so it's easy to become Monkey boy idolized.
美猴王，即孙悟空是中国明代小说家吴承恩的著作《西游记》中的角色之一。孙悟空带领群猴进入水帘洞后成为众猴之王，自此，高登王位，将"石"字 儿隐了，遂称美猴王。孙悟空在花果山遍访英豪之时，结识了牛魔王等六大魔王，七人结拜为兄弟，因此孙悟空成为七大圣之一，位排第七。之后孙悟空大闹天宫，自称"齐天大圣"。
孙悟空生性聪明、活泼、勇敢、忠诚、嫉恶如仇，在中华文化中已经成为机智与勇敢的化身，所以孙悟空很容易就会成为小男孩崇拜的偶像。
2. 关于用英语介绍四大名著中的西游记的80词英语作文
Journey to the West is a Chinese classic fantastic novel. It mainly describes a long journey to the Western Heaven to fetch the Buddhist sutras. The main characters of this novel are a monk, named Xuanzang, and his four disciples, named Sun Wukong, Zhu Bajie, Sha Wujing and Yulong Santaizi. Throughout the journey, the four brave disciples have to protect their master from various monsters and calamities. After encountering eighty-one disasters, they finally reaches their destination. The most definitive version of this novel was written by Wu Chengen in his old age and published in 1592.
西游记是一部中国经典神话小说.这部小说主要描述了一次去西天取经的漫长旅途.小说主人公是一个叫玄奘的和尚和他的四个徒弟：孙悟空,猪八戒,沙悟净和玉龙三太子.在旅途中,这四个勇敢的徒弟从各种各样的怪物手中和灾难中保护他们的师傅.经历81难后他们终于到达了目的地.这部小说最终由吴承恩在他的晚年成稿并于1592年出版.
3. 西游记英文版的简介
Synopsis of Journey to the West
西游记概要
The novel comprises 100 chapters. These can be divided into four very unequal parts. The first, which includes chapters 1–7, is really a self-contained introction to the main story. It deals entirely with the earlier exploits of Sūn Wùkōng, a monkey born from a stone nourished by the Five Elements, who learns the art of the Tao, 72 polymorphic transformations, combat, and secrets of immortality, and through guile and force makes a name for himself as the Qítiān Dàshèng (simplified Chinese: 齐天大圣), or "Great Sage Equal to Heaven". His powers grow to match the forces of all of the Eastern (Taoist) deities, and the prologue culminates in Sūn's rebellion against Heaven, ring a time when he garnered a post in the celestial bureaucracy. Hubris proves his downfall when the Buddha manages to trap him under a mountain and sealing the mountain with a talisman for five hundred years.
Only following this introctory story is the nominal main character, Xuánzàng, introced. Chapters 8–12 provide his early biography and the background to his great journey. Dismayed that "the land of the South knows only greed, hedonism, promiscuity, and sins", the Buddha instructs the bodhisattva Guānyīn to search Táng China for someone to take the Buddhist sutras of "transcendence and persuasion for good will" back to the East. Part of the story here also relates to how Xuánzàng becomes a monk (as well as revealing his past life as a disciple of the Buddha named "Golden Cicada" (金蝉子) and comes about being sent on this pilgrimage by the Emperor Táng Tàizōng, who previously escaped death with the help of an underworld official).
The third and longest section of the work is chapters 13–99, an episodic adventure story which combines elements of the quest as well as the picaresque. The skeleton of the story is Xuánzàng's quest to bring back Buddhist scriptures from Vulture Peak in India, but the flesh is provided by the conflict between Xuánzàng's disciples and the various evils that beset him on the way.
The scenery of this section is, nominally, the sparsely populated lands along the Silk Road between China and India, including Xinjiang, Turkestan, and Afghanistan. The geography described in the book is, however, almost entirely fantastic; once Xuánzàng departs Cháng'ān, the Táng capital, and crosses the frontier (somewhere in Gansu province), he finds himself in a wilderness of deep gorges and tall mountains, all inhabited by flesh-eating demons who regard him as a potential meal (since his flesh was believed to give immortality to whoever ate it), with here and there a hidden monastery or royal city-state amid the wilds.
The episodic structure of this section is to some extent formulaic. Episodes consist of 1–4 chapters and usually involve Xuánzàng being captured and having his life threatened while his disciples try to find an ingenious (and often violent) way of liberating him. Although some of Xuánzàng's predicaments are political and involve ordinary human beings, they more frequently consist of run-ins with various goblins and ogres, many of whom turn out to be the earthly manifestations of heavenly beings (whose sins will be negated by eating the flesh of Xuánzàng) or animal-spirits with enough Taoist spiritual merit to assume semi-human forms.
Chapters 13–22 do not follow this structure precisely, as they introce Xuánzàng's disciples, who, inspired or goaded by Guānyīn, meet and agree to serve him along the way in order to atone for their sins in their past lives.
The first is Sun Wukong (simplified Chinese: 孙悟空), or Monkey, previously "Great Sage Equal to Heaven", trapped by Buddha for rebelling against Heaven. He appears right away in Chapter 13. The most intelligent and violent of the disciples, he is constantly reproved for his violence by Xuánzàng. Ultimately, he can only be controlled by a magic gold band that the Bodhisattva has placed around his head, which causes him bad headaches when Xuánzàng chants certain magic words.
The second, appearing in chapter 19, is Zhu Bajie (simplified Chinese: 猪八戒), literally Eight-precepts Pig, sometimes translated as Pigsy or just Pig. He was previously Marshal Tīan Péng (simplified Chinese: 天蓬元帅), commander of the Heavenly Naval forces, banished to the mortal realm for flirting with the Princess of the Moon Chang'e. He is characterized by his insatiable appetites for food and sex, and is constantly looking for a way out of his ties, which causes significant conflict with Sūn Wùkōng. Nevertheless he is a reliable fighter.
The third, appearing in chapter 22, is the river-ogre Sha Wujing (simplified Chinese: 沙悟净), also translated as Friar Sand or Sandy. He was previously Great General who Folds the Curtain (simplified Chinese: 卷帘大将), banished to the mortal realm for dropping (and shattering) a crystal goblet of the Heavenly Queen Mother. He is a quiet but generally dependable character, who serves as the straight foil to the comic relief of Sūn and Zhū.
The fourth disciple is the third prince of the Dragon-King, Yùlóng Sāntàizǐ (simplified Chinese: 玉龙三太子), who was sentenced to death for setting fire to his father's great pearl. He was saved by Guānyīn from execution to stay and wait for his call of ty. He appears first in chapter 15, but has almost no speaking role, as throughout most of the story he appears in the transformed shape of a horse that Xuánzàng rides on.
Chapter 22, where Shā is introced, also provides a geographical boundary, as the river that the travelers cross brings them into a new "continent". Chapters 23–86 take place in the wilderness, and consist of 24 episodes of varying length, each characterized by a different magical monster or evil magician. There are impassably wide rivers, flaming mountains, a kingdom ruled by women, a lair of sective spider-spirits, and many other fantastic scenarios. Throughout the journey, the four brave disciples have to fend off attacks on their master and teacher Xuánzàng from various monsters and calamities.
It is strongly suggested that most of these calamities are engineered by fate and/or the Buddha, as, while the monsters who attack are vast in power and many in number, no real harm ever comes to the four travelers. Some of the monsters turn out to be escaped heavenly animals belonging to bodisattvas or Taoist sages and spirits. Towards the end of the book there is a scene where the Buddha literally commands the fulfillment of the last disaster, because Xuánzàng is one short of the eighty-one disasters he needs to attain Buddhahood.
In chapter 87, Xuánzàng finally reaches the borderlands of India, and chapters 87–99 present magical adventures in a somewhat more mundane (though still exotic) setting. At length, after a pilgrimage said to have taken fourteen years (the text actually only provides evidence for nine of those years, but presumably there was room to add additional episodes) they arrive at the half-real, half-legendary destination of Vulture Peak, where, in a scene simultaneously mystical and comic, Xuánzàng receives the scriptures from the living Buddha.
Chapter 100, the last of all, quickly describes the return journey to the Táng Empire, and the aftermath in which each traveler receives a reward in the form of posts in the bureaucracy of the heavens. Sūn Wùkōng and Xuánzàng achieve Buddhahood, Wùjìng becomes an arhat, Sāntàizǐ the dragon prince horse is made a nāga, and Bājiè, whose good deeds have always been tempered by his greed, is promoted to an altar cleanser (i.e. eater of excess offerings at altars).
4. 英语作文 关于《西游记》的 写一篇介绍《西游记》的短文，80词左右。
去这里吧 你想找的作文就在这里
http://www.xueweb.com/Article/zuowen/
http://www.zuowendaquan.com/
有你要找内的作文 呵容呵 .
5. 《西游记》英文版的简介
Journey to the West is the first Romantic chapter novel about gods and demons in ancient China.
There are 100 copies of Journey to the West published in the Ming Dynasty without the author's signature.
Wu Yuxuan, a scholar of the Qing Dynasty, first proposed that the author of Journey to the West was Wu Chengen of the Ming Dynasty.
This novel is based on the historical event of "Tang monk's learning classics".Through the author's artistic processing.
it profoundly depicts the social reality at that time. After describing Sun Wukong's birth and havoc of the heavenly palace.
the whole book met three people, Tang Seng, Zhu Ba Jie and Sha Seng.Westbound Buddhist sutras, all the way down demons and demons.
experienced the ninety-eighty-one difficulties, and finally arrived in the west to see Buddha Tathagata, and finally the story of the five saints come true.
Journey to the West is a classic novel of Chinese gods and demons, reaching the peak of ancient Romantic novels.
It is also known as the four classical works of China with Romance of the Three Kingdoms, Water Margin and Dream of Red Mansions.
中文版：
《西游记》是中国古代第一部浪漫主义章回体长篇神魔小说。现存明刊百回本《西游记》均无作者署名。
清代学者吴玉搢等首先提出《西游记》作者是明代吴承恩。这部小说以“唐僧取经”这一历史事件为蓝本。
通过作者的艺术加工，深刻地描绘了当时的社会现实。全书主要描写了孙悟空出世及大闹天宫后，遇见了唐僧、猪八戒和沙僧三人。
西行取经，一路降妖伏魔，经历了九九八十一难，终于到达西天见到如来佛祖，最终五圣成真的故事。
《西游记》是中国神魔小说的经典之作，达到了古代长篇浪漫主义小说的巅峰，与《三国演义》《水浒传》《红楼梦》并称为中国古典四大名著。
(5)介绍西游记英语作文扩展阅读：
创作背景：
In the first year of Emperor Taizong's Zhenguan in the Tang Dynasty (627), a 25-year-old monk, Xuanzang Tianzhu (India).
traveled on foot. After departing from Chang'an, he traveled through Central Asia, Afghanistan and Pakistan, through all difficulties and obstacles, and finally arrived in India.
He studied there for more than two years and was praised as a lecturer at a large Buddhist Confucianism Debate.
In the nineteenth year of Zhenguan (645), Xuanzang returned to Chang'an and brought back 657 Buddhist sutras, which caused a great sensation.
Later, Xuanzang dictated what he had seen and heard about the westward journey and was compiled by disciple Bian Ji into Twelve Volumes of Records of the Western Regions of the Great Tang Dynasty.
But this book mainly tells the history, geography and transportation of the countries we see on the road. There are no stories.
As for his disciples Huili and Yan Cong's Biography of the Three Tibetan Masters at Dacien Temple in the Tang Dynasty.
it added a lot of mythological color to Xuanzang's experience. From then on, the story of the Tang monk's taking scriptures began to spread widely among the Chinese people.
中文版：
唐太宗贞观元年（627年），25岁的和尚玄奘天竺（印度）徒步游学。他从长安出发后，途经中亚、阿富汗、巴基斯坦，历尽艰难险阻，最后到达了印度。
在那里学习了两年多，并在一次大型佛教经学辩论会任主讲，受到了赞誉。贞观十九年（645年）玄奘回到了长安，带回佛经657部，轰动一时。
后来玄奘口述西行见闻，由弟子辩机辑录成《大唐西域记》十二卷。但这部书主要讲述了路上所见各国的历史、地理及交通，没有什么故事。
及到他的弟子慧立、彦琮撰写的《大唐大慈恩寺三藏法师传》，则为玄奘的经历增添了许多神话色彩，从此，唐僧取经的故事便开始在中国民间广为流传。
6. 《西游记》的英语介绍
西游记简介
中国古典四大名著之一，是最优秀的神话小说，也是一部群众创作和文人创作相结合的作品。小说以整整七回的“大闹天宫”故事开始，把孙悟空的形象提到全书首要的地位。第八至十二回写如来说法，观音访僧，魏徵斩龙，唐僧出世等故事，交待取经的缘起。从十四回到全书结束，写孙悟空被迫皈依佛教，保护唐僧取经，在八戒、沙僧协助下，一路斩妖除魔，到西天成了“正果”。
这是、、汉语
About Journey to the West
One of the four Chinese classical novels, is the myth of the best novels, is also a creative people and creative combination of civilian work. Back to full seven stories to the "Havoc in Heaven" story began, the image of the Sun referred to the status of the first book. VIII to XII, such as write-back for the law, Guanyin's visit to Buddhist, Wei Zheng Tsam dragon, Tang birth stories, etc., account for the origin of the Buddhist scriptures. 14 Back to the book from the end of the Monkey King was forced to convert to Buddhism, the protection of Tang Buddhist scriptures, in the Journey,沙僧assistance Painkiller all the way to the West as "Zhengguo."
英语嘚、、（那个、、沙僧、、好像翻译不了、、）
喜欢 就给芬吧~~！！
7. 介绍西游记的英语作文
Journey to the West, commonly known to the western readers as Monkey, is a supernatural novel about a world of of fantastic invention, in which gods and demons loom large and vie for supremacy. The novel began with a series of oral and written versions, and eventually attained its most definitive version written by Wu Ch'eng-en (1500?-1582), a scholar-official in the Yantze region, and published in 1592.
The story of Journey to the West is divided into three parts: (1) an early history of the Monkey spirit; (2) pseudo-historical account of Tripitaka's family and life before his trip to to fetch the sutras in the Western Heaven; (3)the main story, consisting of 81 dangers and calamities encountered by Tripitaka and his three animal spirit disciples - Monkey, Pigsy, and Sandy (a fish spirit).
8. 英语作文关于西游记简介150词左右
Journey to the West is one of the Four Great Classical Novels of Chinese literatures. It is written in 16th century Ming dynasty. It tells a story about a Buddhist monk and his three students who are animals but with human characteristic. They travel west to India to find Buddhist scriptures.
The monk, called XuanZang or Tangsheng, is an idealist, who is as weak as a kitten and just sets there helplessly for rescue when he gets into trouble. But he is really kind and great, trying to dispel the darkness and ignorance in people’ heart. The monkey named Wukong is born from a stone and he owns extraordinary powers and amazing intelligence that he uses to overcome demons and monsters. The pig is Bajie. He loves beauty and delicacy and he always makes a mess and generates a lot of humor in the process. The loach is called ShaSeng and he is very modest and diligent; he takes care of the monk and colleagues.
9. 西游记读后感和简介英文
读了《西游记》我深有感触，文中曲折的情节和唐僧师徒的离奇经历给我留下了深刻的印象。
本书作者罗贯中为读者讲述了唐僧以及其他的三个徒弟一路上历尽艰险、降妖伏魔经历了九九八十一难取得了真经的故事。正是这离奇的故事情节赢得了广大读者的心，致使此书成为了我国古代的四大名著之一。
《西游记》塑造了四个鲜明的人物形象：唐僧－诚心向佛、顽固执着，孙悟空－正义大胆、本领高超是妖怪们的克星，猪八戒－贪财好色，但又不缺乏善心，沙僧－心地善良、安于天命。这四个人物形象各有特点，性格各不相同，恰好形成了鲜明的对比，这使我不得不佩服作者写作技艺的高超，也许作者善于刻画人物形象便是他的精妙之处。其中我最喜欢的便是孙悟空，因为他神通广大、技艺高超，一路保护唐僧成功地取得了真经，他就成了我心目中的英雄。而且在他身上还有一种叛逆心理，以及他敢于和强大势力做斗争的勇敢的精神令我十分欣赏。
书中写唐僧师徒经理了八十一个磨难有让我联想到了他们的执着、不畏艰险、锲而不舍的精神。这着实是一种值得我们学习的精神。再想想自己的半途而废、虎头蛇尾，我不禁惭愧自己当初为何不能像他们一样坚持到底呢？也许这就是我所缺少的，只要我能把一件事情从头做到尾，不管我是成功了还是失败了，只要我尽力去做了，这对我来说也是一种成功啊！因为我去做了，而且坚持到了最后。
那四本厚厚的名著，是每个自诩热爱中国古代文化的人必须修读的。我自然不能免俗，刀光剑影，勾心斗角，爱恨缠绵，都不适合此时阅读，于是再次翻开了《西游记》，进入了光怪陆离色彩斑斓的神话世界。 这是一部所有人都爱读的经典大作，每个人都能在解读它时获取不同的感受和启示。有人喜欢它鲜明的人物个性；有人喜欢它瑰丽的整体形象；有人喜欢它活泼诙谐的语言；有人干脆把它当作道德修养小说或政治寓言。但在我看来，它什么都不是，它只是“游戏之作”，是一个单纯的神话世界。我在读这本小说时常常有一种共鸣感，想必这是我内心深处对于自由的欲望在呼喊吧！ 一、自由 在经历了又一个个性受制约的学期后，孙悟空这个形象完全激发了我内心潜在的，但根深蒂固的向往——对彻底的自由的向往。孙悟空破土而出，“不优麒麟辖，不优凤凰管，又不优人间王位所拘束”，闯龙宫，闹冥司，在花果山自在称王，可以说已经达到人性摆脱一切束缚，彻底自由的状态。孙悟空其实就是自由的化身，他的品质中最突出的特点就是向往自由，他始终在追求自由，他的一切斗争也都是为了自由。这样一个鲜活的形象给予了我一种寻找自由、追逐自由的力量和勇气。总之，我觉得现代人对于自己的生存状态，尤其是精神方面较为安于现状，缺乏一种开拓进取，寻找更大自由的精神。 二、神话 如今也是一个远离神话的时代。日常生活过于现实，使充满幻想的事物遭到排斥。神话绝非幼稚的产物，它有深邃的哲学意义和丰富的文化内涵。谢林在他的名著《艺术哲学》中说：“神话乃是各种艺术的必要条件的原始质料。《西游记》是中国神话小说的颠峰，也是神话文化的至高境界，然后中国的神话文化渐渐没落了，神话不被人重视，连《西游记》也少有人问津，只有孩子们会被孙悟空征服，于是也只有孩子们抱有对未来浪漫的、梦幻般的希望。” 三、英雄 “英雄”有许多不同解释。《辞海》中说英雄是杰出的人物，曹操说英雄要有包容宇宙之机，吞吐天地之胸。我认为，英雄是那些顽强地掌握自己命运，并为崇高理想而奋斗的人。孙悟空无疑是英雄的典型，他为了自由，为了自己的尊严，不怕与一切进行斗争。正因为这种对抗的差距悬殊，发自内心而拼尽全力的抗争才显得悲壮。明知不可为而为的勇士才能凸现出其英雄本色。 复读《西游记》，让我觉得其不属于一般名著的特点。我相信，也希望它永 远向大家展示着“自由、神话、英雄”三个主题，给大家带来激励和源自内心的力量。
Journey to the West is a mythologi-
cal novel based on many centuries
of popular tradition. It was probably put
into its present form in the 15708 by
Wu Cheng’en (1500-82).
This lively fantasy relates the
amazing adventures of the priest San-
zang as he travels west in search of
Buddhist sutras with his three disci-
ples, the irreverent and capable Mon-
key, greedy Pig, and Friar Sand. The
opening chapters recount the earlier
exploits of Monkey, culminating in his
rebellion against Heaven. We then
learn how Sanzang became a monk
and was sent on his pilgrimage by the
Tang emperor who had escaped death
with the help of an Underworld official.
The main story, the journey, takes the
priest through all kinds of entertaining
trials and tribulations, mainly at the
hands of monsters and spirits who
want to eat him. Only the courage
and powers of his disciples, especially
Monkey, save him from death. Monkey
is the hero of the fantasy, and the read-
er will soon learn why he has long been
so loved in China. Will the pilgrims
reach the Vulture Peak and obtain the
Scriptures? The answer will only be
found at the end of the lOO-chapter
novel.
The story is as full of imagination
as Monkey is of magic, and packed
with incident and down-to-earth hu-
mour. The illustrations are from 19th-
century Chinese edition. This is the first
of the three volumes of the novel.
Jacket drawing by: Wei Wei
10. 英语作文 关于《西游记》的
去这里吧 你想找的作文就在这里
http://www.xueweb.com/Article/zuowen/
http://www.zuowendaquan.com/
有你要内找的作文 呵容呵 .